Berlín is a municipality in the Usulután department of El Salvador.

Overview

The municipality of Berlín is made up of an urban center (pop. approx. 12,000) and 17 cantons or villages (pop. approx. 30,000). The urban center is located at 1,020 meters above sea level in the mountains of eastern El Salvador, with the territory extending to lowland cantons (zona baja) on the Lempa River and to highland cantons (zona alta) at as much as 1,500 meters above sea level. Some of the rural cantons include: Talpetates, Loma Alta, Las Delicias, El Colon, El Tablon.

Berlin is known for coffee farming, which historically was the main economic activity for the municipality and concentrated in the zona alta. In the zona baja, including the Mechotique region, activities include cattle and sugar cane farming, as well as farming of subsistence crops such as beans and corn. Nearby municipalities include Mercedes Umaña and Santiago de Maria; the largest nearby city is San Miguel.

Berlín's patron saint is San José, and the annual patron saint festival is celebrated from March 15 - 20. The city boasts two high schools, a coffee processing plant, a bank, a credit union, a thriving municipal market, a youth community center, numerous small businesses, a Catholic church, and several Evangelical congregations.

During the Salvadoran Civil War, Berlín was the site of several battles between the FMLN and military forces. The FMLN took control of the city for five days in 1983, but were driven out by heavy bombing by the military. The engagement resulted in significant destruction of property and civilian deaths.

Berlín was heavily damaged by flooding and landslides resulting from Hurricane Mitch in 1998 and by the earthquakes of January and February, 2001. To mitigate potential future natural disasters, an Environmental Unit (Unidad Ambiental) has been established within the mayor’s office.

A severe thunderstorm with heavy rain caused flooding and landslides in May 2007 which resulted in the deaths of 5 people. Efforts are currently underway to relocate the Brisas del Sol community, where the victims were from, away from the high risk area.

External links

The Official Page of Berlín, El Salvador

Wikipedia in Spanish

Category:Municipalities of the Usulután Department

de:Berlín (El Salvador) es:Berlín (El Salvador) it:Berlín

Name	Lou Reed
Landscape	yes
Background	solo_singer
Birth name	Lewis Allan Reed
Birth date	March 02, 1942Brooklyn, New York
Birth place	United States
Instrument	Vocals, guitar, ostrich guitar, bass, synthesizer, keyboards, piano, harmonica, drums, percussion
Genre	Rock, experimental rock, art rock, protopunk, noise music, drone music, psychedelic rock, folk rock, glam rock, blue-eyed soul, spoken word
Occupation	Musician, songwriter, producer, photographer
Years active	1964–present
Label	Matador, MGM, RCA, Sire, Reprise, Warner Bros.
Associated acts	The Velvet Underground, John Cale, Nico, David Bowie, The Killers, Mick Ronson, Gorillaz, Laurie Anderson, Peter Gabriel, Metallica.
Website	www.loureed.com }}

Lewis Allan "Lou" Reed (born on March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his solo career, which has spanned several decades. Though the Velvet Underground were a commercial failure in the late 1960s, the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era. As the Velvet Underground's principal songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including sexuality and drug culture.

After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side", although he subsequently lacked the mainstream commercial success its chart status seemed to indicate. Reed's work as a solo artist frustrated critics wishing for a return of the Velvet Underground. In 1975 Reed released a double album of feedback loops, ''Metal Machine Music'', upon which he later commented: "No one is supposed to be able to do a thing like that and survive."

In 2008, Reed married performance artist Laurie Anderson.

Early life

Reed was born at Beth El Hospital in Brooklyn and grew up in Freeport, Long Island. Contrary to some sources, his birth name was Lewis Allan Reed, not Louis Firbanks, a name that was coined as a joke by Lester Bangs in ''Creem'' magazine. Having learned to play the guitar from the radio, he developed an early interest in rock and roll and rhythm and blues, and during high school played in a number of bands. His first recording was as a member of a doo wop-style group called The Jades.

In 1956 Reed received electroconvulsive therapy as a teenager intended to cure his bisexuality; he wrote about the experience in his 1974 song, "Kill Your Sons". In an interview, Reed said of the experience:

Reed began attending Syracuse University in the fall of 1960, studying journalism, film directing, and creative writing. In 1961 he began hosting a late-night radio program on WAER called "Excursions On A Wobbly Rail". Named after a song by pianist Cecil Taylor, the program typically featured doo wop, rhythm and blues and jazz, particularly the free jazz developed in the mid-1950s. Many of Reed's guitar techniques, such as the guitar-drum roll, were inspired by jazz saxophonists, notably Ornette Coleman. Reed graduated from Syracuse University's College of Arts and Sciences with a B.A. in June 1964.

Poet Delmore Schwartz taught at Syracuse University and befriended Reed, who in 1966 dedicated the song "European Son", from the Velvet Underground's debut album ''The Velvet Underground & Nico'', to Schwartz. In 1982, Reed recorded "My House" as a tribute to his late mentor. He later said that his goals as a writer were "to bring the sensitivities of the novel to rock music" or to write the Great American Novel in a record album.

Career

Staff songwriter at Pickwick Records

In 1964 Reed moved to New York City and began working as an in-house songwriter for Pickwick Records. In 1964 he scored a minor hit with the single "The Ostrich", a parody of popular dance songs of the time, which included lines such as "put your head on the floor and have somebody step on it." His employers felt that the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called The Primitives, included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young's Theater of Eternal Music, along with Tony Conrad. Cale and Conrad were both surprised to find that for "The Ostrich" Reed tuned each string of his guitar to the same note. This technique created a drone effect similar to their experimentation in Young's avant-garde ensemble. Disappointed with Reed's performance, Cale was nevertheless impressed by Reed's early repertoire (including "Heroin"), and a partnership began to evolve.

The Velvet Underground

Reed and Cale lived together on the Lower East Side, and after inviting Reed's college acquaintances, guitarist Sterling Morrison and drummer Maureen Tucker, to join the group, they formed The Velvet Underground. Though internally unstable (Cale left in 1968, Reed in 1970) and without commercial success, the band has a long-standing reputation as one of the most influential bands in rock history.

The group soon caught the attention of artist Andy Warhol. One of Warhol's first contributions was to integrate them into the Exploding Plastic Inevitable. Warhol's associates inspired many of Reed's songs as he fell into a thriving, multifaceted artistic scene. Reed rarely gives an interview without paying homage to Warhol as a mentor. Conflict emerged when Warhol had the idea for the group to take on a chanteuse, the European former model and singer Nico. Reed and the others registered their objection by titling their debut album ''The Velvet Underground & Nico'' to imply that Nico was not accepted as a member of the group. Despite his initial resistance, Reed wrote several songs for Nico to sing, and the two were briefly lovers (as were Nico and Cale later). ''The Velvet Underground & Nico'' reached #171 on the charts.

Today, however, it is considered one of the most influential rock albums ever recorded. ''Rolling Stone'' magazine has it listed as the 13th most influential album of all time. Brian Eno once famously stated that although few people bought the album, most of those who did were inspired to form their own band.

By the time the band recorded ''White Light/White Heat'', Nico had quit and Warhol was fired, both against Cale's wishes. Warhol's replacement as manager, Steve Sesnick, convinced Reed to drive Cale out of the band. Morrison and Tucker were discomfited by Reed's tactics but continued with the group. Cale's replacement was Doug Yule, whom Reed would often facetiously introduce as his younger brother. The group now took on a more pop-oriented sound and acted more as a vehicle for Reed to develop his songwriting craft. The group released two albums with this line up: 1969's ''The Velvet Underground'' and 1970's ''Loaded''. The latter included two of the group's most commercially successful songs, "Rock and Roll" and "Sweet Jane". Reed left the Velvet Underground in August 1970; the band disintegrated as core members Sterling Morrison and Maureen Tucker departed in 1971 and 1972, respectively. Yule continued until early 1973, and the band released one more studio album, ''Squeeze'', under the Velvet Underground name.

After the band's move to Atlantic Records' Cotillion label, their new manager pushed Reed to change the subject matter of his songs to lighter topics in hopes of commercial success. The band's album ''Loaded'' had taken more time to record than the previous three albums together, but had not broken the band through to a wider audience. Reed briefly retired to his parents' home on Long Island.

Solo career

1970s

After quitting the Velvet Underground in August 1970, Reed took a job at his father's tax accounting firm as a typist, by his own account earning $40 a week. A year later, however, he signed a recording contract with RCA and recorded his first solo album in London with top session musicians including Steve Howe and Rick Wakeman, members of the progressive rock group Yes. The album, simply titled ''Lou Reed'', contained smoothly produced, re-recorded versions of unreleased Velvet Underground songs, some of which were originally recorded by the Velvets for ''Loaded'' but shelved (see the ''Peel Slowly and See'' box set). This first solo album was overlooked by most pop music critics (although Stephen Holden in ''Rolling Stone'' called it "almost perfect") and it did not sell in significant numbers.

In December 1972, Reed released ''Transformer''. David Bowie and Mick Ronson co-produced the album and introduced Reed to a wider popular audience (specifically in the UK). The hit single "Walk on the Wild Side" was an ironic yet affectionate salute to the misfits, hustlers, and transvestites who once surrounded Andy Warhol. Each of the song's five verses poignantly describes an actual person who had been a fixture at The Factory during the mid-to-late 1960s: (1) Holly Woodlawn, (2) Candy Darling, (3) "Little Joe" Dallesandro, (4) "Sugar Plum Fairy" Joe Campbell and (5) Jackie Curtis. The song's cleverly transgressive lyrics evaded radio censorship. Though the jazzy arrangement (courtesy of bassist Herbie Flowers and saxophonist Ronnie Ross) was musically somewhat atypical for Reed, it eventually became his signature song. The song came about as a result of his commission to compose a soundtrack to a theatrical adaptation of Nelson Algren's novel of the same name, though the play failed to materialize. Ronson's arrangements brought out new aspects of Reed's songs; "Perfect Day", for example, features delicate strings and soaring dynamics. It was rediscovered in the 1990s and allowed Reed to drop "Walk on the Wild Side" from his concerts.

Though ''Transformer'' would prove to be Reed's commercial and critical pinnacle, there was no small amount of resentment in Reed devoted to the shadow the record cast over the rest of his career. An argument between Bowie and Reed ended their working relationship for several years, though its subject is not known. The two reconciled some years later, and Reed performed with Bowie at the latter's 50th birthday concert at Madison Square Garden in 1997. The two would not formally collaborate again until 2003's ''The Raven''. Touring in support of ''Transformer'' posed the challenge of forming a band for the first time since joining the Velvets. Reed took the simple path of hiring an inexperienced bar band, The Tots. Their straightforward guitar sound suited the songs, and Reed spent much of 1972 and the winter of 1973 on the road with them. Though they improved over the months, criticism of their still-basic abilities ultimately led Reed to fire them mid-tour. He chose the creative young keyboardist Moogy Klingman to come up with a new five-member backing band on barely a week's notice. Thus the tour continued through the spring with a denser, bluesier and tighter sound that presaged the very successful live albums Reed would record with all different musicians in December.

Reed followed ''Transformer'' with the darker ''Berlin'', which tells the story of two junkies in love in the titular city. The songs variously concern domestic abuse ("Caroline Says I", "Caroline Says II"), drug addiction ("How Do You Think It Feels"), adultery and prostitution ("The Kids"), and suicide ("The Bed"). Reed's late-1973 European tour, featuring dual lead guitarists Steve Hunter and Dick Wagner, mixed his ''Berlin'' material with older rockers.

After ''Berlin'' came two albums in 1974, ''Sally Can't Dance'' and a live record ''Rock 'n' Roll Animal'', which contained performances of the Velvet Underground songs "Sweet Jane" and "Heroin". ''Rock 'n' Roll Animal'' became his biggest selling album, and its follow-up ''Lou Reed Live,'' recorded on the same occasions in December 1973, kept Reed in the public eye with strong sales after its release in early 1975.

As he had done with ''Berlin'' after ''Transformer'', in 1975 Reed responded to commercial success with a commercial failure, a double album of electronically generated audio feedback, ''Metal Machine Music''. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. But Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also as psychologically disturbing. The album was reportedly returned to stores by the thousands after a few weeks. Though later admitting that the liner notes' list of instruments is fictitious and intended as parody, Reed maintains that ''MMM'' was and is a serious album. He has since stated though that at the time he had taken it seriously, he was also "very stoned". In the 2000s it was adapted for orchestral performance by the German ensemble Zeitkratzer.

By contrast, 1975's ''Coney Island Baby'' was mainly a warm and mellow album, though for its characters Reed still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, ''Walk on the Wild Side: The Best of Lou Reed''. While ''Rock and Roll Heart'', his 1976 debut for his new record label Arista, fell short of expectations, ''Street Hassle'' (1978) was a return to form in the midst of the punk scene he had helped to inspire. But Reed was dismissive of punk and rejected any affiliation with it. "I'm too literate to be into punk rock... The whole CBGB's, new Max's thing that everyone's into and what's going on in London — you don't seriously think I'm responsible for what's mostly rubbish?" ''The Bells'' (1979) featured jazz musician Don Cherry, and was followed the next year by ''Growing Up in Public'' with guitarist Chuck Hammer. Around this period he also appeared as a sleazy record producer in Paul Simon's film ''One Trick Pony''. Reed also played several unannounced one-off concerts in tiny downtown Manhattan clubs with the likes of Cale, Patti Smith, and David Byrne during this period.

1980s

In 1980, Reed married British designer Sylvia Morales. They were divorced more than a decade later. While together, Morales inspired Reed to write several songs, particularly "Think It Over" from 1980's ''Growing Up in Public'' and "Heavenly Arms" from 1982's ''The Blue Mask''. After ''Legendary Hearts'' (1983) and ''New Sensations'' (1984) fared adequately on the charts, Reed was sufficiently reestablished as a public figure to become spokesman for Honda motorcycles.

In the early 1980s, Reed asked guitarist Robert Quine to join his group. Quine appeared on Reed's ''The Blue Mask'' (1982), acclaimed as one of Reed's best albums, and ''Legendary Hearts'' (1983). The two guitarists’ played both rhythm and lead guitar. Robert Quine eventually quit the group due to tensions with Reed. However, Reed persuaded Quine to rejoin for a world tour, with which he agreed to despite his aversion to touring, for financial reasons. Quine ended his musical relationship with Reed in 1985.

On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois. He performed ''Doin' The Things That We Want To'', ''I Love You, Suzanne'', ''New Sensations'', and ''Walk on The Wild Side''.

In 1986, he joined Amnesty International's A Conspiracy of Hope Tour and was outspoken about New York's political issues and personalities on the 1989 album ''New York'', commenting on crime, AIDS, Jesse Jackson, Kurt Waldheim, and Pope John Paul II.

Following Warhol's death after routine surgery in 1987, Reed again collaborated with John Cale on the biographical ''Songs for Drella'', Warhol's nickname. The album marked an end to a 22-year estrangement from Cale. On the album, Reed sings of his love for his late friend, but also criticizes both the doctors who were unable to save Warhol's life and Warhol's would-be assassin, Valerie Solanas.

1990s

In 1990, following a 20-year hiatus, the Velvet Underground reformed for a Fondation Cartier benefit in France. Reed released his sixteenth solo record, ''Magic and Loss'', in 1992, an album about mortality, inspired by the death of two close friends from cancer. In 1993, the Velvet Underground again reunited and toured throughout Europe, although plans for a North American tour were cancelled following another falling out between Reed and Cale. In 1994, Reed appeared in ''A Celebration: The Music of Pete Townshend and The Who'', also known as ''Daltrey Sings Townshend''. This was a two-night concert at Carnegie Hall produced by Roger Daltrey in celebration of his fiftieth birthday. In 1994, a CD and a VHS video were issued, and in 1998 a DVD was released. Reed performed a radically rearranged version of "Now And Then" from ''Psychoderelict''.

In 1996, the Velvet Underground were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, Reed performed a song entitled "Last Night I Said Goodbye to My Friend" alongside former bandmates John Cale and Maureen Tucker, in dedication to Velvet Underground guitarist Sterling Morrison, who had died the previous August. Reed has since been nominated for the Rock Hall as a solo artist twice, in 2000 and 2001, but has not been inducted.

His 1996 album, ''Set the Twilight Reeling'', met with a lukewarm reception, but 2000's ''Ecstasy'' drew praise from most critics, including Robert Christgau. In 1996, Reed contributed songs and music to ''Time Rocker'', an avant-garde theatrical interpretation of H.G. Wells' ''The Time Machine'' staged by theater director Robert Wilson. The piece premiered in the Thalia Theater in Hamburg, Germany, and was later also shown at the Brooklyn Academy of Music in New York.

In 1998, the PBS TV show, ''American Masters'' aired Timothy Greenfield-Sanders' feature documentary ''Lou Reed: Rock and Roll Heart''. This film, which premiered at the Sundance Film Festival in the U.S. and at the Berlin Film Festival in Germany went on to screen at over 50 festivals worldwide. In 1999, the film and Reed as its subject received a Grammy Award for best long form music video.

Since the late 1990s, Reed has been romantically linked to the musician, multi-media and performance artist Laurie Anderson, and the two have collaborated on a number of recordings together. Anderson contributed to "Call On Me" from Reed's project ''The Raven'', to the tracks "Baton Rouge" and "Rock Minuet" from Reed's ''Ecstasy'', and to "Hang On To Your Emotions" from Reed's ''Set the Twilight Reeling''. Reed contributed to "In Our Sleep" from Anderson's ''Bright Red'' and to "One Beautiful Evening" from her ''Life on a String''. They married on April 12, 2008.

2000s

2000 to 2003

In May 2000, Reed performed before Pope John Paul II at the Great Jubilee Concert in Rome. In 2000, a new collaboration with Robert Wilson called ''Poe-Try'' was staged at the Thalia Theater in Germany. As with the previous collaboration ''Time Rocker,'' ''Poe-Try'' was also inspired by the works of a 19th-century writer: Edgar Allan Poe. Reed became interested in Poe after producer and long-time friend Hal Willner had suggested him to read some of Poe's text at a Halloween benefit he was curating at St. Ann's Episcopal Church in Brooklyn. For this new collaboration, Reed reworked and even rewrote some of Poe's text as well as included some new songs based on the theme explored in the texts. In 2001, Reed made a cameo appearance in the movie adaptation of ''Prozac Nation''. On October 6, 2001 the ''New York Times'' published a Reed poem called ''Laurie Sadly Listening'' in which he reflects upon the 9/11 terrorist attacks.

Incorrect reports of Reed's death were broadcast by numerous US radio stations in 2001, caused by a hoax email (purporting to be from Reuters) which said he had died of a drug overdose. In 2003, he released a 2-CD set, ''The Raven'', based on "Poe-Try". Besides Reed and his band, the album featured a wide range of actors and musicians including singers David Bowie, Laurie Anderson, Kate and Anna McGarrigle, The Blind Boys of Alabama and Antony Hegarty, saxophonist and long-time idol Ornette Coleman, and actors Elizabeth Ashley, Christopher Walken, Steve Buscemi, Willem Dafoe, Amanda Plummer, Fisher Stevens and Kate Valk. The album consisted of songs written by Reed and spoken-word performances of reworked and rewritten texts of Edgar Allan Poe by the actors, set to electronic music composed by Reed. At the same time a single disc CD version of the albums, focusing on the music, was also released.

A few months after the release of ''The Raven'', a new 2-CD Best Of-set was released, entitled ''NYC Man (The Ultimate Collection 1967-2003)'', which featured an unreleased version of the song "Who am I" and a selection of career spanning tracks that had been selected, remastered and sequenced under Reed's supervision. In April 2003, Reed embarked on a new world tour supporting both new and released material, with a band including cellist Jane Scarpantoni and singer Antony Hegarty. During some of the concerts for this tour, the band was joined by Master Ren Guangyi, Reed's personal T'ai Chi instructor, performing T'ai Chi movements to the music on stage. This tour was documented in the 2004 double disc live album ''Animal Serenade'', recorded live at The Wiltern in Los Angeles.

In 2003, Reed released his first book of photographs, ''Emotions in Action''. This work actually was made up out of two books, a larger A4-paper sized called ''Emotions'' and a smaller one called ''Actions'' which was laid into the hard cover of the former. ''After Hours: a Tribute to the Music of Lou Reed'' was released by Wampus Multimedia in 2003.

In 2003, Reed was also a judge for the third annual Independent Music Awards to support independent artists' careers.

2004 to 2006

In 2004, a Groovefinder remix of his song, "Satellite of Love" (called "Satellite of Love '04") was released. It reached #10 in the UK singles chart. Also in 2004, Reed contributed vocals and guitar to the track "Fistful of love" on ''I Am a Bird Now'' by Antony and the Johnsons. In 2005, Reed did a spoken word text on Danish rock band Kashmir's album ''No Balance Palace''.

In January 2006, a second book of photographs, ''Lou Reed's New York'', was released. At the 2006 MTV Video Music Awards, Reed performed "White Light/White Heat" with The Raconteurs. Later in the night, while co-presenting the award for Best Rock Video with Pink, he exclaimed, apparently unscripted, that "MTV should be playing more rock n' roll."

In October 2006, Reed appeared at Hal Willner's Leonard Cohen tribute show "Came So Far For Beauty" in Dublin, beside the cast of Laurie Anderson, Nick Cave, Antony, Jarvis Cocker, Beth Orton, and others. According to the reports, he played a heavy metal version of Cohen's "The Stranger Song". He also performed "One Of Us Cannot Be Wrong" and two duets — "Joan of Arc", with Cohen's former back-up singer Julie Christensen, and "Memories" — in a duet with Anjani Thomas.

In December 2006, Reed played a first series of show at St. Ann's Warehouse, Brooklyn, based on his 1973 ''Berlin'' song cycle. Reed was reunited on stage with guitarist Steve Hunter, who played on the original album as well as on ''Rock 'n' Roll Animal'', as well as joined by singers Antony Hegarty and Sharon Jones, pianist Rupert Christie, a horn and string section and the Brooklyn Youth Chorus. The show was being produced by Bob Ezrin, who also produced the original album, and Hal Willner. The stage was designed by painter Julian Schnabel and a film about protagonist "Caroline" directed by his daughter, Lola Schnabel, was being projected to the stage. A live recording of these concerts was also published as a film (directed by Schnabel) which was released spring 2008. The show was also played at the Sydney Festival in January 2007 and throughout Europe during June and July 2007. The album version of the concert, entitled ''Berlin: Live At St. Ann's Warehouse'', was released in 2008.

2007 to 2009

In April 2007, he released ''Hudson River Wind Meditations'', his first record of ambient meditation music. The record was released on the Sounds True record label and contains four tracks that were said to have been composed just for himself as a guidance for T'ai Chi exercise and meditation. In May 2007 Reed performed the narration for a screening of Guy Maddin's silent film ''The Brand Upon the Brain''. In June 2007, he performed live at the Traffic Festival 2007 in Turin, Italy, a five-day free event organized by the town.

In August 2007, Reed went into the studio with The Killers in New York City to record "Tranquilize", a duet with Brandon Flowers for The Killers' b-side/rarities album, called ''Sawdust''. During that month, he also recorded guitar for the Lucibel Crater song "Threadbare Funeral", which appears on their full-length CD ''The Family Album''. In October 2007, Reed gave a special performance in the ''Recitement'' song "Passengers". The album combines music with spoken word. The album was composed by Stephen Emmer and produced by Tony Visconti. Hollandcentraal was inspired by this piece of music and literature, which spawned a concept for a music video. On October 1, 2008, Reed joined Richard Barone via projected video on a spoken/sung duet of Reed's "I'll Be Your Mirror", with cellist Jane Scarpantoni, in Barone's ''FRONTMAN: A Musical Reading'' at Carnegie Hall.

On October 2 and 3, 2008, he premiered his new group, which later was named Metal Machine Trio, at REDCAT (Walt Disney Concert Hall Complex, Los Angeles). The live recordings of the concerts were released under the title ''The Creation of the Universe''. The Trio features Ulrich Krieger (saxophone) and Sarth Calhoun (electronics), and plays free improvised instrumental music inspired by Reed's 1975 album ''Metal Machine Music''. The music ranges from ambient soundscapes to free rock to contemporary noise. The trio played further shows at New York's Gramercy Theater in April 2009 and appeared as part of Reed's band at the 2009 Lollapalooza, including a 10 minute free trio improvisation. At Lollapalooza, held in Chicago's Grant Park, Reed played "Sweet Jane" and "White Light/White Heat" with Metallica at Madison Square Garden as part of the 25th-anniversary celebration of the Rock And Roll Hall Of Fame on October 30, 2009. Reed's recent activity in films include providing the voice of Maltazard, the villain in the forthcoming Luc Besson animated film, ''Arthur and the Vengeance of Maltazard'', and playing the role of himself in Wim Wenders' movie ''Palermo Shooting'' (2008).

In 2009, Reed became an active member of the Jazz Foundation of America (JFA). He was a featured performer at the JFA's annual benefit "A Great Night in Harlem" in May 2009.

2010s

Reed has remained active doing benefits and composing music. He has contributed vocals on the third Gorillaz album, ''Plastic Beach'', on the song "Some Kind Of Nature". and co-wrote and performed backup music for a Chen Style T'ai Chi instructional DVD. He has a co-production credit on Laurie Anderson's ''Homeland''.

Lou Reed performed a cover of the Buddy Holly song "Peggy Sue" which is featured on the tribute album ''Rave On Buddy Holly''.

Reed also began touring with the Metal Machine Trio, which was widely viewed as a return to his exploration of noise and sound. In 2011, heavy metal band Metallica recorded a full length collaboration with Lou Reed entitled ''Lulu'', released November 1 in North America and October 31 everywhere else. After he initially refused Susan Boyle the right to perform "Perfect Day" on an American television special ("America's Got Talent"), he subsequently agreed to direct her video rendition.

In January 2012 Reed and John Cale sued the Andy Warhol Foundation for the license to use the yellow banana image from Warhol's art for ''The Velvet Underground & Nico'' album.

Discography

With the Velvet Underground

''The Velvet Underground & Nico'' (1967)

''White Light/White Heat'' (1968)

''The Velvet Underground'' (1969)

''Loaded'' (1970)

''1969: The Velvet Underground Live'' (1974)

''VU'' (1985)

''Another View'' (1986)

''Live MCMXCIII'' (1993)

''Peel Slowly and See'' (1995)

''Fully Loaded'' (1997)

''Bootleg Series Volume 1: The Quine Tapes'' (2001)

As a solo artist

''Lou Reed'' (1972)

''Transformer'' (1972)

''Berlin'' (1973)

''Rock 'n' Roll Animal'' (1974)

''Sally Can't Dance'' (1974)

''Metal Machine Music'' (1975)

''Coney Island Baby'' (1975)

''Rock and Roll Heart'' (1976)

''Street Hassle'' (1978)

''The Bells'' (1979)

''Growing Up in Public'' (1980)

''The Blue Mask'' (1982)

''Legendary Hearts'' (1983)

''New Sensations'' (1984)

''Mistrial'' (1986)

''New York'' (1989)

''Magic and Loss'' (1992)

''Set the Twilight Reeling'' (1996)

''Ecstasy'' (2000)

''The Raven'' (2003)

''Hudson River Wind Meditations'' (2007)

Collaborations

''Songs for Drella'' (with John Cale) (1990)

''Tranquilize'' (with The Killers) (2007)

''The Stone: Issue Three'' (with John Zorn and Laurie Anderson) (2008)

''The Creation of the Universe'' (with the Metal Machine Trio) (2008)

''Some Kind of Nature'' (with Gorillaz) (2010)

''Lulu'' (with Metallica) (2011)

''The Road From Memphis with Booker T. Jones (2011) #11 "The Bronx"

Appearances in film

''One Trick Pony'' (1980) as Steve Kunelian

''Get Crazy'' (1983) as Auden

''Permanent Record'' (1988) as himself

''Faraway, So Close!'' (1993) as himself

''Blue in the Face'' (1995) as "Man with Strange Glasses"

''Closure'' (1997) as himself

''Prozac Nation'' (2001) as himself

''Berlin: Live At St. Ann's Warehouse'' (2008)

''Palermo Shooting'' (2008) as himself

References

External links

Official Lou Reed website

Comprehensive music biography of Reed by Allmusic

Category:Living people Category:1942 births Category:American baritones Category:American buskers Category:American male singers Category:American rock guitarists Category:American rock singers Category:Bisexual musicians Category:American singer-songwriters Category:Ivor Novello Award winners Category:Jewish American composers and songwriters Category:Jewish American musicians Category:Jewish singers Category:Musicians from New York Category:Noise musicians Category:People from Brooklyn Category:People from Freeport, New York Category:Protopunk musicians Category:Rock and Roll Hall of Fame inductees Category:Syracuse University alumni Category:The Velvet Underground members Category:Sire Records artists Category:Reprise Records artists Category:Warner Bros. Records artists

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Name	Miss Platnum
Background	solo_singer
Birth name	Ruth Maria Renner
Birth date	1980
Birth place	Timişoara, Romania
Genre	Pop, Soul, R&B, Hip-Hop
Associated acts	Seeed
Occupation	Singer-songwriter
Years active	2005-present
Label	Four Music
Website	missplatnum.com }}

Miss Platnum (born Ruth Maria Renner in 1980), formerly known as Platnum, is a Romanian-German singer, songwriter and musician, currently signed to Four Music.

Biography

Early life

Platnum was born in Timişoara, Romania in 1980. At the age of eight her family relocated to Berlin where she went to school in Berlin-Lichterfelde. Later on she took lessons in singing with ''Jocelyn B. Smith'' and worked as a background singer for Moabeat.

Works

After her minorly successful debut album ''Rock Me'' which was released on January 31, 2005 on the Berlin-based Indie label ''Sonar Kollektiv'', Platnum released her second album ''Chefa'' in May 2007, under her new artist name ''Miss Platnum''. Produced by ''Die Krauts'', it distinguished itself through a mixture of hip-hop, soul, R&B, pop and Romanian Musical elements. Its lead single, "Give Me the Food" reached the top 20 of the Romanian single charts, and debuted at #63 on the German ''Media Control'' chart.

Discography

Albums

Year	Album	Chart Positions
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	"Chefa"	align="center"
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	"The Sweetest Hangover"		align="center"

Singles

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(Promotional Single)
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References

External links

Four Music artist page (as ''Miss Platnum'')

Sonar Kollektiv artist page (as ''Platnum'')

Category:1980 births Category:Living people Category:German people of Romanian descent Category:German female singers Category:German singers Category:German soul singers Category:Romanian expatriates in Germany Category:English-language singers Category:Sonar Kollektiv artists

de:Miss Platnum es:Miss Platnum fr:Miss Platnum

Sarah Howells is a British singer-songwriter and trance vocalist. She is also one half of the folk/indie band Paper Aeroplanes.

Biography

Howells set up her first band in West Wales when she was 10 years old, with friend Nia George. They later formed a four-piece band, JYLT, with two other school friends. JYLT was disbanded in 2004 when George died aged 21, from leukaemia.

She came to trance music by chance. When Lange, a DJ and record producer, moved to Cardiff and was looking for a female vocalist for his album ''Better Late Than Never'', he met Howells, who lived there at the time. They together produced the single "Out of the Sky". The song became a trance hit and was remixed by Kyau & Albert, and Aly & Fila. Armin van Buuren picked the song for his year compilation ''A State of Trance 2008''. Armin van Buuren also selected the song in his ASOT 500 broadcast.

After the success with her debut single, Howells worked with other trance musicians in 2009 such as First State, John O'Callaghan and Dash Berlin. Most successful was the single "Find Yourself", a collaboration with John O'Callaghan. The song made it on numerous compilations and the Cosmic Gate remix was also on the year compilation ''A State of Trance 2009''. In 2010 two of her songs each appeared on the album ''Changing Lanes'' of First State and ''Harmonic Motion'' of Lange.

Howells main musical project, together with co-writer and producer Richard Llewellyn, also from Wales, is the band Paper Aeroplanes. Formed in 2008, they have had national radio airplay on BBC Radio 2 and BBC 6 Music as well as touring Germany with Ron Sexsmith and several releases since. They released their debut album ''The Day We Ran into the Sea'' in 2009.

Discography

Albums

2009: ''The Day We Ran into the Sea'' (with Paper Aeroplanes)

2011: ''We Are Ghosts'' (with Paper Aeroplanes)

2011: ''A Comfortable Sleep'' EP (with Paper Aeroplanes)

2012: ''Queeph Joos'' (with Vexare)

Collaborations

2008: Lange feat. Sarah Howells - "Out of the Sky"

2009: First State feat. Sarah Howells - "Brave"

2009: John O'Callaghan feat. Sarah Howells - "Find Yourself"

2009: Lange feat. Sarah Howells - "Let It All Out"

2009: Dash Berlin feat. Sarah Howells & Secede - "Believe in You"

2010: Lange feat. Sarah Howells - "Fireworks"

2011: Al Lewis - "In the Wake" (vocals and co-writing)

2011: First State feat. Sarah Howells - "Reverie"

2011: First State feat. Sarah Howells - "Skies on Fire"

2011: Daz Bailey feat. Sarah Howells - "In My Veins"

2011: tyDi feat. Sarah Howells - "Acting Crazy"

2012: Paper Aeroplanes - "Winter Never Comes" (Mark Eteson Remix)

2012: Vexare(a young dubstep music producer) feat. Sarah Howells - "Lanterns"

2012: Dash Berlin feat. Sarah Howells - "Go It Alone"

References

External links

Category:Place of birth missing (living people) Category:Welsh singer-songwriters Category:Trance singers Category:British dance musicians Category:Welsh female singers Category:Living people

de:Sarah Howells

Jonathan Mendelsohn is the director of general election resources for the British Labour Party. He had previously been a spokesman and lobbyist for the gambling company PartyGaming. He is the former chairman of Labour Friends of Israel.

With Neal Lawson and Ben Lucas, he founded LLM Communications in 1997, a lobbying firm with notable access to the new Labour Government.

He had written to controversial Labour donor David Abrahams claiming he was one of Labour's "strongest supporters". In 1998 he was caught on tape along with Derek Draper boasting to Greg Palast, an undercover reporter posing as a businessman, about how they could sell access to government ministers and create tax breaks for their clients in a scandal that was dubbed "Lobbygate". Draper denied the allegations. In the same incident Mendelsohn was approached by an undercover journalist posing as a representative of American energy companies who were seeking to ignore environmental laws. Despite LLM's claim that "we believe that there will be a new breed of 'ethical winners' who will demonstrate that businesses no longer operate in a moral vacuum", Mendelsohn went on to advise the reporter to rephrase their plans into language that sounded "Earth-Friendly" going on to say "Tony [Blair] is very anxious to be seen as green. Everything has to be couched in environmental language - even if it's slightly Orwellian."

He donated money to the Peter Hain Labour Party deputy leadership campaign.

According to the Daily Telegraph, "Mr Mendelsohn is steeped in the north London Jewish community. He is a close friend of Lord Levy, who was at the heart of Labour’s cash for peerages affair."

He is married with four children. His wife, Nicola, was formerly deputy chairman of the advertising agency Grey London, he is also known to be well respected within his community and is generally a very liked man .

References

Category:Living people Category:Labour Party (UK) officials Category:British Jews Category:British lobbyists Category:Year of birth missing (living people)